How many megapixels is the nikon d5000

Scene Modes even include example images for each mode to make selection easy for anyone. For additional creative control, the D includes a comprehensive set of in-camera editing functions via its Retouch Menu that enhance photos with a variety of effects — without the need for a computer.

Combining famous Nikon quality and high performance, the D opens the door to a level of creative expression never before possible in a camera so fun.

Featuring a bright 2. The monitor can also be stowed with the LCD panel neatly tucked against the camera back to protect the screen when not in use. At The high signal-to-noise ratio results in images with extremely low noise even when shooting at high ISO settings.

Autofocus with Live View has been further improved by the addition of Subject tracking, which automatically locks onto a pre-selected subject even if it momentarily leaves the frame.

This mode joins three other contrast-detect AF modes with which the D is equipped: Face priority AF which automatically detects up to five faces in a scene then focuses on the closest face ; Wide area AF which offers a large AF area for optimal handheld shooting and; Normal area AF which provides pin-point focusing accuracy for excellent results when using a tripod. Users who want to view on standard computer monitors or upload to photo sharing websites can shoot at x pixels or x pixels, respectively.

Scene Modes empower users to obtain great looking shots in a variety of situations with point-and-shoot ease. These modes adjust exposure, white balance, Active D-lighting, and Picture Control settings depending on the selected mode.

To assist in determining the best mode, the D displays a sample photo as each mode is selected. In order to accurately adjust exposure and white balance as well as assist autofocus, the D utilizes a pixel RGB sensor to analyze color and illumination over the entire scene milliseconds prior to exposure. This allows the D to better evaluate scene content, resulting in improved exposure for better image quality while also boosting autofocus performance.

Additionally, the D detects human faces using its Face Detection System. Like the Scene Recognition System, Active D-Lighting utilizes the pixel RGB sensor to analyze a scene then adjust exposure to achieve images that closely resemble what the human eye sees.

During processing, this function also restores details in areas of the image that exhibit image loss. Four versatile AF modes are available: single-point AF for stationary subjects, especially ones that are off-center; dynamic-area AF for moving subjects; auto-area AF when you want the D to automatically determine the proper focus method and; 3D-tracking 11 points AF for maintaining focus on subjects even if the composition changes.

Click through to read more. Want to learn more about the Nikon Z9? Do you have a burning question you haven't seen answered anywhere else? Join us for a live Twitter Space on Thursday, November 11, and be part of the conversation.

Click through for details. The four firmware updates bring improved autofocus performance in a number of different shooting modes, as well as support for Nikon's new FTZ II mount adapter and Nikkor Z mm F4 S lens. Adrian Smith is back with another excellent slow-motion video of insects filmed with a high-speed Phantom camera. The original Tamron mm F2. Now Tamron is back with a second gen version that promises to be even better.

Does it deliver on that claim? Chris and Jordan did a side-by-side comparison to find out. Check out their gallery of sample photos to judge critical image quality for yourself.

The lens will be a part of Panasonic's F1. Aptolux is a new company formed by videographers to create lighting solutions for videographers. Its first product is the Aptolux MP-1, a modular, transforming LED light that can be as compact as a lunchbox when not being used yet deliver bright, efficient light. Sony's latest a7-series model is the most capable yet, but also the most expensive.

We've been using Panasonic's new Lumix S 35mm F1. Panasonic has announced the Lumix S 35mm F1. Panasonic has released firmware version 1. The Hubble Space Telescope is in safe mode as engineers work to investigate what's wrong with the telescope's onboard instruments. This is the second time the venerable telescope has faced extended downtime after being offline for a month earlier this year. Panasonic China has posted a pair of images to various Chinese social media sites that tease what appears to be a new lens launch.

Gordon Laing is back at it again with another Retro Review. In this episode, Laing goes back 25 years to provide an in-depth overview of Nikon's unique Coolpix camera, which was half compact camera, half PDA. The adapter includes optics to help offset the crop factor of APS-C cameras. OM Digital Solutions — the company that's bought the Olympus imaging division — has just launched the M. Zuiko Digital ED 20mm F1. Click through for a closer look. Chris and Jordan tease-out the differences.

Submit a News Tip! Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Nikon D Review 5 comments. Previous 1 Introduction. Nikon D Key Features As such it offers quite a few feature improvements over its little brother: Nikon D Tags: review , nikon. Next page. We are retrieving offers for your location, please refresh the page to see the prices.

View Comments 5. Comments All 5. DanBahrami I bought one D today. DanBahrami on thing I can't understand: why in this review camera specifications and shooting menu says two different things?

DanBahrami I like to buy one for my sis. I think it is best budget entry level to start and learn for her. Classy Images I have been using D since , and not in mood to upgrade till date. Now, along with the Nikon D90, the D includes Face recognition. As in past models, the Color Matrix Metering system compares what it sees in the image to a database of 30, photos to make its metering decisions for each scene.

They've added more to properly gauge factors like white balance and subject motion, and now they're tracking faces with SRS. The autofocus sensors are another piece of the Nikon D's SRS puzzle, each aspect informing and tuning the other. Finding and focusing on eyes rather than foreground objects, or even foreheads and noses, is one particular benefit of the overall integration.

Another is improved 3D tracking of objects as they move across the image area. The RGB sensor may not be able to help focus on an object, but it can add a set of data for the Nikon D to use while tracking a subject with the autofocus system. For example, if a red object is traversing the frame from left to right, and growing in size as it does so, the Nikon D's SRS would add this information to the AF-sensor data to help it tune the focus more quickly.

Live view shooting. Activating Live view on other Nikon SLRs has included turning the Drive Mode dial to Lv and then pressing the shutter button to lock the mirror up; hardly intuitive.

The Nikon D, however, has a dedicated Live view button on the back, just right of the LCD, within easy reach of the thumb. With a single press of the Lv button, the mirror flips up and Live-view framing begins. The difference with the Nikon D is that you can only focus in Contrast-detect mode, whereas the Nikon D and D allowed a choice between Handheld Phase-detect and Tripod mode Contrast-detect mode. Phase-detect AF in a Live View SLR is always a noisy affair, as it generally involves dropping and raising the mirror twice once to focus and once to take the shot , but it's generally faster than contrast-detect focusing, particularly as implemented on the Nikon D There's a good reason why Nikon refers to the contrast-detect AF mode as "Tripod mode," as it takes a long time for the camera to focus when using it; easily several seconds in some circumstances, and never less than about 2.

Still, it works very well if you're not in a hurry, and by its very nature, is never subject to the front- or back-focusing that can plague phase-detect AF systems if they're even a tiny bit out of adjustment. If face detection is activated, the Nikon D quickly begins tracking faces, placing a yellow box around each one, up to five at a time.

Once focus is achieved, the box turns green. D-Movie mode. You have to set focus before you start shooting your movie, but you can still manual focus while you're shooting hint: turn off AF on the lens barrel , as well as zoom. The movie may record the noise of the zoom ring to an extent, depending on which lens you're using and how fast you zoom, but it's still pretty impressive.

If you leave VR on, you'll see a much more stable image in your videos, too. A whole new generation, now of non-professionals, will learn what it means to "pull focus" as the moment of interest turns from one subject to another.

In movie studios, pulling focus is a cinematic technique usually performed by someone other than the camera operator, who is too busy framing the image to attend to focus as well.

But millions of Nikon D owners will be able to use a technique that few camcorder owners can. The Nikon D's D-Movie resolutions include x , x , and x The frame rate is 24 frames per second, and audio is monaural, not stereo. Approximate maximum file sizes for two of the modes are MB for the 1,xsize movies, and up to 2GB for the x movies. Pull the battery on the Nikon D and the optical viewfinder suddenly goes murky and dim. That's because one of the mirrors is actually an LCD, and when you remove its power source, it loses much of its reflectivity.

Active D-Lighting. You have to remember to hit the shutter release twice to get both of your shots -- it doesn't save two files for each shot -- but it's a helpful feature if you're unsure of your lighting. Viewing images. Playback mode's abilities include a calendar display and a 4, 9, and image thumbnail display. Perspective correction. In-camera editing. New in-camera editing features in the Nikon D include Perspective control, to help correct perspective distortions in buildings; Soft-filter effect smooths faces and other details in an image, and Color outline, which creates a monochrome image, eliminating all color and converting transition areas into a kind of pencil sketch appearance.

These new features join already interesting editing tools like Distortion control, Fisheye effect, Color filters, and In-camera image-resizing. Storage and battery. Like the D40 and D60, it does not appear that the Nikon D is intended to accommodate a vertical grip, and the hinge on the Nikon D would make it a little more difficult to operate the articulating LCD though certainly not impossible.

SD cards are also somewhat more robust, less prone to bent contact fingers in the camera or card reader jamming the card connector while also rendering the camera useless. Different shapes : The Nikon D is a little taller than the Canon T1i, and a little narrower side-to-side.

The overall length of the D is greater, both thanks to the articulating LCD and the longer lens. And for the first time, the Canon grip offers a little better hold than the Nikon D, whose finger-grip is a little small. Of course, the Nikon D has the advantage of an articulating screen for better off-angle shots, while the T1i has a higher resolution LCD in its favor.

This class of SLR only gets better, as Nikon and other companies do extensive usability research before designing the next model. I enjoy shooting with consumer SLRs like the Nikon D because as a father of three, I have plenty of opportunities to test how a camera will work for the average snapshooter.

The Nikon D has a good, solid feel to it. Its grip seems to have less depth, so it's harder to get a good purchase with your fingers, but once you rest the weight into your palm and oppose it with your thumb, your hold improves. The camera's bottom on the right side has a good curve, too, which is more pleasant to palm. The left side also has a relief for the palm, making it easier to cradle the camera while extending your fingers to turn the zoom and focus rings.

The Command and Mode dials are easy to operate with your right thumb, and the power switch and shutter fall naturally under the influence of your index finger. Though the Nikon D's phase-detect autofocus speed tested very well in our lab tests, turning in 0. It's nice that the Nikon D has an AF-assist lamp, but it really doesn't speed things up much. The Canon XTi I have at my desk is considerably faster in both modes, though it too is slower in auto-area AF, just not as slow.

In Live View mode, which uses contrast-detect autofocus, it gets worse. In the lab, we averaged 2. That's not great. It's exacerbated by camera movement, so attaching a VR lens does have some positive effect, but not much. Live view on the Nikon D is best used on a tripod, where you can move the AF point around and let the camera do its work slow and steady. Consumers should know up front that the Nikon D focuses much slower in Live view than the all-in-one digicam that they're used to.

Adjust your expectations accordingly, and you'll be happy. Many tripod quick release mechanisms will block the Nikon D's LCD from rotating at all, let alone tilting down to face forward or backward. Instead, you'll have to release, rotate, and reattach. Using the LCD. Swinging down and flipping the LCD is counter-intuitive to me, because it turns the wrong way for easy left-hand operation. Holding the grip with your right hand, you lower the LCD with a left-hand fingertip. This orients your left hand palm down, so you naturally want to turn the LCD to the left, since that's the way your forearm's radius and ulna like to twist.

Unfortunately, with the LCD facing out, it only rotates to the right. Instead, you should hold the Nikon D by the lens with your left hand, then lower the LCD and turn it to the right. That's another step, and is going to slow you down, unfortunately. This is exactly how Panasonic does it on their bottom-hinged articulating swivel screens, though, so plenty of folks are already used to this method.

Remember also the trouble with quick-release mechanisms on most tripods, which gets in the way of the swivel screen, requiring you to flip the screen before locking it down to the tripod. A very brief sample of p video from the Nikon D uploaded to YouTube. For the full AVI file, click here. Movie mode. Shooting in D-Movie mode is another time I'd have preferred to shoot on a tripod with the Nikon D Focusing and zooming without introducing significant camera twist and shake was difficult when using the kit lens.

My skin actually squeaked against the rubber as I turned the zoom barrel while trying to hold the camera as still as possible, which the mic pics up.

I had to change my grip to only use my fingertips to make it work well enough. Autofocusing is not possible while you're recording a movie with the Nikon D, unlike the Canon T1i.

It's not a big loss, though, because you have to edit out the T1i's focusing efforts, which often include significant changes to the exposure as well as focus when autofocusing; I'd prefer not to have to cut them out later in the editing program.